% Generated by nwc2ly version 0.21 http://nwc2ly.sf.net/

\version "2.12.0"
\header {
  title = "Esheth Chayil"
  subtitle = "Proverbs 31:10-31"
  arranger = "arr. Joel Nothman"
  composer = "Melody by Ben Zion Shenker"
  copyright = "©2009 Joel Nothman. Licenced under a Creative Commons Attribution-Share Alike 2.5 Licence."
}

\paper {
	ragged-bottom = ##t
}

#(set-global-staff-size 15)
#(ly:set-option 'point-and-click #f)

teneight = {
  #(set-time-signature 10 8 '(3 3 4))
}

openingLyrics = \lyricmode {
  Ey -- shes cha -- yil mi yim -- tsọ?
}

m = { \melisma }
mE = { \melismaEnd }

sop = {
   \set Staff.instrumentName = #"Soprano"
   \set Staff.shortInstrumentName = #"S"
 \clef treble
 \time 4/4
 \set Score.tempoHideNote = ##t
 \tempo 4=60
 fis''4 ^\markup{ \italic Adagio } e''4 d''4 cis''4 |  % 1
 cis''8 cis''8 cis''2. \mark \default \bar "||"  % 2
 \tempo 4=90
 d''2 ^\markup{ \italic { Andante, accel. poco a poco } } cis''2  |  % 3
 \tempo 4=93
 cis''4 b'2. |  % 4
 \tempo 4=96
 fis'2 g'2 |  % 5
 \tempo 4=100
 fis'2 ( g'2 ) |  % 6
 \tempo 4=103
 ais'2 cis''2 ~  |  % 7
 \tempo 4=106
 cis''4 b'2. |  % 8
 \tempo 4=110
 cis''2 b'2 |  % 9
 \tempo 4=113
 fis'2 ( ais'4 cis''4 ) |  % 10
 \tempo 4=116
 r4  d''2 cis''4 ~  |  % 11
 \tempo 4=120
 cis''4 b'2 b'4 ~  |  % 12
 \tempo 4=123
 b'4 cis''2 b'4 ~  |  % 13
 \tempo 4=126
 b'4 fis'2 e'8 ( d'8 )  |  % 14
 \tempo 4=130
 r4  cis'2 fis'4 ~  |  % 15
 \tempo 4=133
 fis'4 g'4 ( b'4 ) a'!8 ( g'8 ) |  % 16
 \tempo 4=136
 fis'4 e'2 e'4 ( |  % 17
 \tempo 4=140
 fis'1 ) \mark \default \bar "||"  % 18
 b'2 ^\markup{ \italic Allegro } ais'2 |  % 19
 a'!4 fis'2 fis'4 |  % 20
 ais'2 cis''2 |  % 21
 ais'4 b'2. |  % 22
 b'8 ( ais'8  b'4 cis''4 b'8  g'8  |  % 23
 fis'8  g'8  ais'2 ) fis'4 |  % 24
 e'8 cis'4 d'8 e'8  fis'8  gis'8  ais'8  |  % 25
 b'8 cis''4 ais'8 b'8  cis''8  d''8  e''8  |  % 26
 r4  d''2 b'4 |  % 27
 cis''8  b'8  ais'8  b'8  cis''8 \m d''8 \mE cis''4 |  % 28
 r4  e''2 fis''8  e''8  |  % 29
 d''8  cis''8  b'8  cis''8  d''8 \m e''8 \mE d''8 \m cis''8 \mE |  % 30
 r2  b'2 ~  |  % 31
 b'4 cis''2 e''4 |  % 32
 d''8 \m cis''8 \mE ais'4 fis'4 e'4 |  % 33
 d'2. r4 \mark \default \bar "||"  % 34
 r4  cis''4  e''2 ~  |  % 35
 e''4 d''2. |  % 36
 r4  e''2. |  % 37
 cis''2 cis''8 \m b'8 \mE ais'4 |  % 38
 r4  cis''4 e''2 ~  |  % 39
 e''4 b'2. |  % 40
 cis''2 ( b'2 ) |  % 41
 ais'1 |  % 42
 r4  fis''2 e''4 ~  |  % 43
 e''4 d''2 e''4 ~  |  % 44
 e''4 e''2 e''4 ~  |  % 45
 e''4 cis''2 cis''8 \m b'8 \mE |  % 46
 r4  cis''2 e''4 ~  |  % 47
 e''4 cis''4 d''8  cis''8  b'8 \m a'!8 \mE |  % 48
 cis''4 cis''4 d''8 \m cis''8 \mE b'4 |  % 49
 cis''2. e''4 ( \mark \default \bar "||"  % 50
 \teneight
 d''4. ) d''4. d''4 d''4 |  % 51
 cis''4. ais'4. ( fis'4 ais'4 ) |  % 52
 ais'4. ais'4. ais'4 cis''4 |  % 53
 e''4. d''4. ~ d''2 |  % 54
 b'4. b'4 b'8 cis''4 cis''4 |  % 55
 cis''4. cis''4. ~ cis''4 cis''4 |  % 56
 e''4. cis''4. d''4 ( fis''4 ) |  % 57
 fis''4. cis''4. fis''4 e''4 |  % 58
 d''4.  d''4. d''4 d''8 d''8 |  % 59
 d''8 ( e''4 ) cis''4. ~  cis''4 fis'4 |  % 60
 cis''4. cis''4. cis''4 cis''8 cis''8 |  % 61
 cis''4 d''8 b'4. ~ (  b'4 a'!4 ) |  % 62
 b'4. b'4 b'8 cis''4 d''4 |  % 63
 cis''4 ( e''8 ) fis''4. ~  fis''4 fis''4 |  % 64
 fis''4. fis''4 fis''8 fis''8 \m e''8 \mE d''8 cis''8  |  % 65
 b'2. ~  b'2 \mark \default \bar "||"  % 66
 r2.  r2  |  % 67
 fis''4.  e''4. d''4 cis''4 |  % 68
 d''4 e''8 fis''4. ~  fis''4 r4  |  % 69
 fis''4. fis''4. g''8 ( fis''8 ) e''8 ( d''8 ) |  % 70
 r2.  r2  |  % 71
 e''4. d''4. cis''4 b'4 |  % 72
 ais'4. ( fis'4. ~  fis'4 e'4 |  % 73
 fis'4. e'4. ~  e'2 ) |  % 74
 r2.  r2  |  % 75
 ais'4. b'4. cis''4 b'4 |  % 76
 cis''4. cis''4. d''4 b'4 |  % 77
 cis'4. cis'4. r2  |  % 78
 r2.  r2  |  % 79
 cis''4. b'4. ( d''4 ) r4  |  % 80
 e''4. g''4. fis''2 ~  |  % 81
 \tempo 4=50
 fis''2\fermata  r2.  \mark \default \bar "||"  % 82
 \time 4/4
 fis''1\fermata |  % 83
 \tempo 4=90
 fis'2^\markup{ \italic Adagio } b'4. fis'8 |  % 84
 b'8  ( cis''8 fis'2 ) r4  |  % 85
 cis''2 e''2 |  % 86
 e''4 d''2. |  % 87
 d''8 ( e''16 d''16 ) cis''8  d''8  e''4 d''4 |  % 88
 d''4 cis''2 ( fis''4 ) |  % 89
 fis''1 ~  |  % 90
 fis''1 |  % 91
 r4  fis''2 d''4 |  % 92
 e''8 ( d''8  cis''8  d''8  e''8  fis''8  e''4 ) |  % 93
 r4  g''2 e''4 |  % 94
 fis''4 e''4 d''4 cis''4 |  % 95
 r2  e''4. e''8 |  % 96
 e''4 fis''2 fis''4 |  % 97
 fis''4 cis''4 fis''8  e''8  d''8 ( cis''8 ) | % 98
 b'1 |  % 99
}

sopLyrics = \lyricmode {
  \openingLyrics

  Ey -- shes cha -- yil mi yim -- tsọ;
  Bọ -- tach bọh lev ba -- lọh;
  Toyv vᵉ -- loy rọ,
  kol cha -- ye -- họ;
  Dọr -- shọ chey -- fets ka -- pe -- họ;

  Ai ai ai ai
  nai nai nai nai nai
  Aa __
  Va -- ti -- teyn te -- ref lᵉ -- vei -- sọh vᵉ -- choyk lᵉ -- na -- roy -- se -- họ;

  Zọ -- mᵉ -- mọ va -- ti -- kọ -- chey -- hu,
  mi -- pri cha -- pe -- họ nọ -- tọ kọ -- rem;
  Oyz tᵉ -- a -- meyts zroy -- oy -- se -- họ;

  Tọ -- mọ toyv, yich -- be ney -- rọh;
  Yọ -- de -- họ pọ -- lech;
  Ka -- pọh le -- ọ -- ni, lọ -- ev -- yon;
  Loy si -- rọ lᵉ -- vei -- sọh,
  ki lọ -- vush shọ -- nim;

  Mar -- ba -- dim ọsᵉ -- sọ lọh,
  sheysh varg -- mọn lᵉ -- vu -- shọh;
  Noy -- da bash -- ọ -- rim ba -- lọh,
  bᵉ -- shiv -- to im zik -- nei ọ -- rets;
  Sọ -- din ọsᵉ -- sọ va -- tim -- koyr,
  va -- cha -- gor nọs -- nọ lak -- na -- a -- ni;
  Oyz vᵉ -- họ -- dọr lᵉ -- vu -- shọh,
  va -- tis -- chak lᵉ -- yoym a -- cha -- royn;

  Pi -- họ pọs -- chọ bᵉ -- choch -- mọ,
  al lᵉ -- shoy -- nọh;	
  ha -- li -- choys bei -- sọh;

  Kọ -- mu vọ -- ne -- họ va -- ya -- a -- shru -- họ;

  Chọ -- yil,
  as ọ -- lis

  Aa
  She -- ker ha -- cheyn, He -- vel yoy -- fi,
  i -- shọ yir -- as a -- doy -- nọi hi 
  Tᵉ -- nu lọh __ mi -- pᵉ -- ri yọ -- de -- họ,
  ha -- lᵉ -- lu -- họ ba -- shọ -- rim ma -- a -- se -- họ.
}

altoLyrics = \lyricmode {
  \repeat unfold 16 { \skip 1 }
  ka2 -- pe2 -- họ;1
  \repeat unfold 5 { \skip 1 }
  \skip 2. Va4 aah1
  \repeat unfold 23 { \skip 1 }
  lọ2 -- vush4 \skip 4 \skip 1
  \repeat unfold 14 { \skip 2. \skip 2 }
  \skip 2. a4 -- cha4 - royn;4 \skip 1
  \repeat unfold 26 { \skip 1 }
  \skip 2
  hi4 \skip 1 \skip 8 sis4 -- ha4 -- lọl;4.
}

alto = {
   \set Staff.instrumentName = #"Alto"
   \set Staff.shortInstrumentName = #"A"
 \clef treble
 \time 4/4
 fis'4 fis'4 ais'4 ais'4 |  % 1
 cis''8 cis''8 ais'2. \bar "||"  % 2
 r1  |  % 3
 r1  |  % 4
 r1  |  % 5
 r1  |  % 6
 r1  |  % 7
 r1  |  % 8
 r1  |  % 9
 r1  |  % 10
 r4  fis'2 e'4 ~  |  % 11
 e'4 d'2 e'4 ~  |  % 12
 e'4 e'2 e'4 ~  |  % 13
 e'4 cis'2 cis'8 ( b8 ) |  % 14
 r4  cis'2 e'4 ~  |  % 15
 e'4 e'4 ( fis'8 e'8 ) d'4  |  % 16
 cis'8 ( d'8  e'8  cis'8 ) d'8 ( cis'8  b8  d'8 ) |  % 17
 cis'2 e'2 |  % 18
 d'2  cis'2 |  % 19
 d'4 ais2 b4 |  % 20
 cis'2 e'2 |  % 21
 e'4 d'2. |  % 22
 d'8 ( e'8  fis'8  e'8  fis'8  e'8  d'8  cis'8  |  % 23
 d'8  e'8  cis'2 ) fis'4 |  % 24
 fis'1 ~  |  % 25
 fis'1 |  % 26
 r4  fis'2 d'4 |  % 27
 e'8  d'8  cis'8  d'8  e'8  fis'8  e'4 |  % 28
 r4  g'2 fis'8  e'8  |  % 29
 d'8  e'8  fis'8  e'8  fis'8  e'8  d'8  cis'8  |  % 30
 r2  e'2 ~  |  % 31
 e'4 fis'2 fis'4 |  % 32
 fis'8  e'8  d'8 ( cis'8 ) fis'8 ( e'8 ) d'8 ( cis'8 ) |  % 33
 b2. r4 \bar "||"  % 34
 r4  fis'4 cis''2 ~  |  % 35
 cis''4 b'2. |  % 36
 r4  fis'4 g'2 |  % 37
 fis'2 g'2 |  % 38
 r4  ais'4 cis''2 ~  |  % 39
 cis''4 fis'2. |  % 40
 fis'2 ( g'2 ) |  % 41
 fis'1 |  % 42
 r4  d''2 cis''4 ~  |  % 43
 cis''4 b'2 b'4 ~  |  % 44
 b'4 cis''2 b'4 ~  |  % 45
 b'4 fis'2 e'8  d'8  |  % 46
 r4  cis'2 fis'4 ~  |  % 47
 fis'4 e'4 fis'8  e'8  d'4 |  % 48
 fis'2 e'4 e'4 |  % 49
 fis'4. ( ais'4. ) fis'8 ( ais'8  \bar "||"  % 50
 \teneight
 fis'4. ) fis'4. fis'4 fis'4 |  % 51
 fis'4. fis'4. ~ fis'2 |  % 52
 e'4. fis'4. e'4 e'4 |  % 53
 ais'4. fis'4. ( b'2 ) |  % 54
 g'4. g'4 g'8 g'4 g'4 |  % 55
 e'4. fis'4. ( ais'4 ) ais'4 |  % 56
 cis''4. ais'4. b'4 ( ais'4 ) |  % 57
 cis''4. ais'4. d''4 cis''4 |  % 58
 d''4. b'4. d''4 ais'8 ais'8 |  % 59
 d''4. ais'4. ( cis''4 ) ais'4 |  % 60
 cis''4. ais'4. fis'4 e'8 e'8 |  % 61
 e'4. b'4. ( d''2 ) |  % 62
 d''4. b'4 b'8 cis''4 b'4 |  % 63
 b'4. cis''4. ( fis'4 ) ais'4 |  % 64
 cis''4. cis''4. cis''4 b'4 |  % 65
 d''2. ~  d''2 \bar "||"  % 66
 r2.  r2  |  % 67
 fis'4. g'4. b'4 cis''4 |  % 68
 ais'4 cis''8 ais'4. ~  ais'4 r4  |  % 69
 fis'4. fis'4. g'8 ( ais'8 ) cis''8 ( b'8 ) |  % 70
 r2.  r2  |  % 71
 fis'4. g'4. fis'4 g'4 |  % 72
 fis'4. ( cis'4. e'8  fis'8  g'8  e'8  |  % 73
 cis'2. ~  cis'2 ) |  % 74
 r2.  r2  |  % 75
 d'4. d'4. e'4 d'4 |  % 76
 fis'4. fis'4. e'4 e'4 |  % 77
 fis'4. ais'4. r2  |  % 78
 r2.  r2  |  % 79
 g'4. g'4. ( fis'4 ) r4  |  % 80
 g'4. g'4. ais'2 ~  |  % 81
 ais'2\fermata  r2.  \bar "||"  % 82
 \time 4/4
 fis'1\fermata |  % 83
 b'2 d''4. b'8 |  % 84
 b'4 cis''2 fis'4 |  % 85
 ais'2 cis''2 |  % 86
 ais'4 b'2. |  % 87
 b'8  cis''16 b'16  ais'8  b'8  cis''4 b'4 |  % 88
 b'4 ais'2 fis'4 ( |  % 89
 e'8 cis'4 d'4 e'4 fis'8 ~  |  % 90
 fis'8 ) gis'4 ais'4 b'4 ( cis''8 ) |  % 91
 r4  d''2 b'4 |  % 92
 cis''8 ( b'8  ais'8  b'8  cis''8  d''8  cis''4 ) |  % 93
 r4  e''2 cis''4 |  % 94
 ais'4 cis''4 b'4 a'!4 |  % 95
 r2  b'4. b'8 |  % 96
 b'4 cis''2 e''4 |  % 97
 d''8  cis''8  ais'4 fis'4 e'4 |  % 98
 fis'1 |  % 99
}

tenor = \transpose e e, {
   \set Staff.instrumentName = #"Tenor"
   \set Staff.shortInstrumentName = #"T"
 \clef "treble_8"
 \time 4/4
 fis''4 e''4 d''4 cis''4 |  % 1
 d''8  e''8  cis''2. \bar "||"  % 2
 fis'4 fis'4 ais'4 ais'4 |  % 3
 ais'8  cis''8  b'2 ~  b'8  b'8  |  % 4
 ais'4 ais'4 g'4 g'4 |  % 5
 ais'2 g'8 \m fis'8 \mE e'4 |  % 6
 fis'4 fis'4 ais'4 ais'4 |  % 7
 ais'8  cis''8  b'2 ~  b'8  b'8  |  % 8
 ais'4 ais'4 g'4 g'4 |  % 9
 fis'2. fis'8 fis'8 |  % 10
 fis'4 fis'4 ais'4 ais'4 |  % 11
 ais'8 ( cis''8 ) b'2.   |  % 12
 ais'4 ais'4 g'2 |  % 13
 ais'2 g'8 \m fis'8 \mE e'4 |  % 14
 fis'4 fis'4 ais'4 ais'8 ais'8 |  % 15
 ais'8 \m cis''8 \mE b'2 ~ b'8  b'8  |  % 16
 ais'4 ais'8 ais'8 g'8 fis'8 g'8 e'8 |  % 17
 fis'2 ( ais'4 cis''4 ) |  % 18
 d''4 d''8 d''8 d''8 d''8 d''4 |  % 19
 d''8 \m e''8 \mE cis''2 fis'4 |  % 20
 cis''4 cis''4 cis''4 cis''4 |  % 21
 cis''8 \m d''8 \mE b'2 a'!4 |  % 22
 b'4 b'8  b'8  cis''4. \m b'8 \mE |  % 23
 b'4 ais'4. ais'8 ais'8 ais'8 |  % 24
 ais'4 fis'8 fis'8 gis'4 ais'8 ais'8 |  % 25
 b'8 b'8 ais'8 ais'8 b'4 cis''4 |  % 26
 d''8 d''8 d''8 d''8 d''8 d''8 d''8 d''8 |  % 27
 d''8 \m e''8 \mE cis''2 fis'4 |  % 28
 cis''4 cis''4 cis''8 cis''8 cis''8 cis''8 |  % 29
 cis''8 \m d''8 \mE b'2 ( a'!4 ) |  % 30
 b'4 b'8  b'8  cis''4. b'8 |  % 31
 b'4 ais'2 ais'8 ais'8 |  % 32
 ais'4 fis'4 d''8  cis''8 b'8 \m ais'8 \mE |  % 33
 b'2. r4 \bar "||"  % 34
 fis'4 fis'4 ais'4 ais'4 |  % 35
 ais'8 \m cis''8 \mE b'2. |  % 36
 ais'4 ais'4 g'4 g'4 |  % 37
 ais'4 ais'4 g'8 \m fis'8 \mE e'8 e'8 |  % 38
 fis'4 fis'4 ais'4 ais'8 ais'8 |  % 39
 ais'8 \m cis''8 \mE b'2  b'8  b'8  |  % 40
 ais'4 ais'4 g'8 fis'8 g'4 |  % 41
 fis'1 |  % 42
 fis'4 fis'4 ais'4 ais'8 ais'8 |  % 43
 ais'8 \m cis''8 \mE b'2. |  % 44
 ais'4 ais'4 g'4 g'4 |  % 45
 ais'4 ais'8 ais'8 g'8 \m fis'8 \mE e'8 e'8 |  % 46
 fis'4 fis'8 fis'8 ais'4 ais'8 ais'8 |  % 47
 ais'8 \m cis''8 \mE b'2 b'8  b'8  |  % 48
 ais'4 ais'4 g'8 fis'8 g'4 |  % 49
 fis'4. ( ais'4. ) cis''8 (  e''8  \bar "||"  % 50
 \teneight
 d''4. ) d''4. d''4 d''4 |  % 51
 d''8 ( e''4 ) cis''4. ~  cis''4 r4 |  % 52
 cis''4 cis''8 cis''4 cis''8 cis''4 cis''4 |  % 53
 cis''8 ( d''4 ) b'4. ~  b'4 ( a'!4 ) |  % 54
 b'4. b'4 b'8 cis''4 b'4 |  % 55
 b'4. ais'4. ~  ais'4 ais'4 |  % 56
 ais'4. fis'4. gis'4 ( ais'4 ) |  % 57
 b'4. ais'4. b'4 cis''4 |  % 58
 d''4. d''4. d''4 d''8 d''8 |  % 59
 d''8 ( e''4 ) cis''4. ~  cis''4 fis'4 |  % 60
 cis''4. cis''4. cis''4 cis''8 cis''8 |  % 61
 cis''4 d''8 b'4. ~  b'4 r4 |  % 62
 b'4. b'4 b'8 cis''4 b'4 |  % 63
 b'4 ( cis''8 ) ais'4. ~  ais'4 ais'4 |  % 64
 ais'4. fis'4 fis'8 \m d''8 \mE cis''8  b'8  ais'8  |  % 65
 b'2. ~  b'2 \bar "||"  % 66
 fis'4. fis'4. ais'4 ais'8 ais'8 |  % 67
 ais'4 ( cis''8 ) b'4. ~  b'4 b'4 |  % 68
 ais'4. ais'4. g'4 g'4 |  % 69
 ais'4. ais'4. g'8 \m fis'8 \mE e'8 e'8 |  % 70
 fis'4. fis'4 fis'8 ais'4 ais'4 |  % 71
 ais'8 ( cis''4 ) b'4. ~  b'4 b'4 |  % 72
 ais'4. ais'4. g'8 fis'8 g'8 e'8 |  % 73
 fis'2. ~  fis'2 |  % 74
 fis'4. fis'4 fis'8 ais'8 ais'8 ais'8 ais'8 |  % 75
 ais'8 ( cis''4 ) b'4. ~  b'2 |  % 76
 ais'4. ais'4. g'2 |  % 77
 ais'4. ais'4. g'8  fis'8  e'4 |  % 78
 fis'4. fis'4. ais'8 ais'8 ais'8 ais'8 |  % 79
 ais'4 ( cis''8 ) b'4. ~  b'4 b'4 ^\markup{ \italic solo } |  % 80
 ais'4. ais'4. fis''2 ~  |  % 81
 fis''2\fermata g'8 ^\markup{\italic rubato } a'!8  b'8 \m a'8  g'8  a'8 \glissando \mE \bar "||"  % 82
 \time 4/4
 fis'4\glissando (  ais'4\glissando cis''4\glissando e''4\fermata )  |  % 83
 d''2 ^\markup{ \italic tutti } d''4. d''8 |  % 84
 d''8 ( e''8 cis''2 ) fis'4 |  % 85
 cis''2 cis''4. cis''8 |  % 86
 cis''8 \m d''8 \mE  b'2 a'!4 |  % 87
 b'4. b'8 cis''4. b'8 |  % 88
\times 2/3 {  b'8 \m  cis''8 b'8 \mE }  ais'2. |  % 89
 ais'4 ( fis'4 gis'4 ais'4 ) |  % 90
 b'4 ais'4 b'4 ( cis''4 ) |  % 91
 r4 d''4 d''2 |  % 92
 d''8 ( e''8  cis''2 ) fis'4 |  % 93
 cis''2 cis''2 |  % 94
 cis''8 \m d''8 \mE b'2. |  % 95
 b'2 cis''4. b'8 |  % 96
\times 2/3 {  b'8 \m cis''8 b'8 \mE }  ais'2 ais'8  ais'8  |  % 97
 ais'4 fis'4 d''8  cis''8 b'8 \m ais'8 \mE |  % 98
 b'1 |  % 99
}

bass = {
   \set Staff.instrumentName = #"Bass"
   \set Staff.shortInstrumentName = #"B"
 \clef bass
 \time 4/4
 fis,4 fis,4 fis4 fis4 |  % 1
 ais8  g8  fis2. \bar "||"  % 2
 fis,4 fis,4 e4 e4 |  % 3
 e4 d2 ~  d8  d8  |  % 4
 cis4 cis4 e4 e4 |  % 5
 cis2 e8  fis8  g4 |  % 6
 fis4 fis,4 e4 e,4 |  % 7
 e4 d2 ~  d8  d8  |  % 8
 e4 e4 g4 e4 |  % 9
 cis1 |  % 10
 fis4 fis4 e4 e4 |  % 11
 e4 d2. |  % 12
 cis4 cis4 d2 |  % 13
 cis2 e8  fis8  g4 |  % 14
 fis4 fis4 e4 e8 e8 |  % 15
 e4 cis4 d4 ~  d8  d8  |  % 16
 e4 e8 e8 g8 g8 e8 e8 |  % 17
 cis4 fis2 ais4 |  % 18
 b4 fis4 ais8 ais8 fis4 |  % 19
 a!8  b8  fis4 e4 d4 |  % 20
 cis4 ais,4 e4 g4 |  % 21
 ais4 fis4 g4 a!4 |  % 22
 g4 e2. |  % 23
 fis4. ( g8 ) fis2 ( |  % 24
 e2 ) d2 |  % 25
 cis2 fis2 |  % 26
 b,4 d4 fis4 d8  e8  |  % 27
 fis8  a!8  fis4 ( ais4 ) ais,4 |  % 28
 fis,4 ais,4 ais4 fis4 |  % 29
 e4 d2 ( fis4 ) |  % 30
 g4 fis8 g8 g4. g8 |  % 31
\times 2/3 {  g8  ais8 g8  }  fis2 e4 |  % 32
 fis8  e8  d8  cis8  d8  e8  fis8  fis,8  |  % 33
 b,2. r4 \bar "||"  % 34
 fis,4 fis,4 e4 e4 |  % 35
 e4 d2. |  % 36
 cis4 cis4 e4 e4 |  % 37
 cis2 e8  fis8  g4 |  % 38
 fis4 fis4 e4 e4 |  % 39
 e4 d2 d8  d8  |  % 40
 e4 e4 g8 g8 e4 |  % 41
 cis1 |  % 42
 fis4 fis4 e4 e4 |  % 43
 e4 d2.   |  % 44
 cis4 cis4 d4 d4 |  % 45
 cis2 e8  fis8  g4 |  % 46
 fis4 fis4 e4 e4 |  % 47
 e4 cis4 d4 d8  d8  |  % 48
 e4 e4 g8 g8 e4 |  % 49
 cis4. ( fis4. ) ais8 ( cis'8 \bar "||"  % 50
 \teneight
 b4. ) b4. ais4 ais4 |  % 51
 a!4. ais4. ~ ais4 ( ais,4 ) |  % 52
 fis,4 fis,8 fis,4 fis,8 g,4 g,4 |  % 53
 fis,4. fis,4. ~ fis,4 fis4 ( |  % 54
 d4. ) d4 d8 e4 e4 ( |  % 55
 fis4. ) e4. fis4 fis,4 |  % 56
 fis,4. fis,4. fis,2 |  % 57
 fis,4. fis,4. fis,4 fis4 |  % 58
 b4. fis4. ais4 fis8 fis8 |  % 59
 a!4 ( fis4 ) ais4 ( fis4 ) cis4 |  % 60
 e4. ais4. fis4 ais8 ais8 |  % 61
 e4 fis4 b4 ( d4 fis4 ) |  % 62
 g4. d4. g4 e4 |  % 63
 fis4 e4 cis4 ( fis4 ) cis4 |  % 64
 e4. cis4. e4 fis,4 |  % 65
 b,4. fis4. b8 ( a!8 g8 fis8 )   \bar "||"  % 66
 fis4. fis,4. fis4 fis4 |  % 67
 fis4. g4. fis4 b4 |  % 68
 fis4. ais4. cis'4 b4 |  % 69
 ais4. fis4. d4 e8 e8 |  % 70
 fis4. cis4 cis8 e4 e4 |  % 71
 e4. g4. ( fis4 ) d4 |  % 72
 e4. fis4. e4 b4 |  % 73
 ais4. cis4. e4 ( g,4 ) |  % 74
 fis,4. fis,4. fis4 fis4 |  % 75
 fis4. ( g4. ) fis4 ( d4 ) |  % 76
 fis4. e4. d4 ( b,4 ) |  % 77
 cis4. fis,4. g,4 b,4 |  % 78
 fis,4. fis4. e8 e8 e8 e8 |  % 79
 e4. g4. ( fis4 ) d4 |  % 80
 ais,4. cis4. fis,2 ~  |  % 81
 fis,2\fermata r2.  \bar "||"  % 82
 \time 4/4
 cis1\fermata |  % 83
 b,2 g,2 |  % 84
 fis,2 e4 d4 |  % 85
 fis,2. g,4 |  % 86
 ais,2 b,4 fis,4 |  % 87
 g,4 e2. |  % 88
 fis4. g8 fis2 |  % 89
 e2 d2 |  % 90
 cis2 fis,2 |  % 91
 b,4 ( d4 ) fis4 ( d4 ) |  % 92
 a!4 ( fis4 ais2 ) |  % 93
 ais,4 cis4 e4 g4 |  % 94
 e4 ( d2 ) fis4 |  % 95
 g2 g4. g8 |  % 96
\times 2/3 {  g8  ais8 g8  }  fis2 e4 |  % 97
 fis8  e8  d8  cis8  d8  e8  fis8  fis,8  |  % 98
 b,1 |  % 99
}

global = {
 #(set-accidental-style 'modern-cautionary)
 \time 4/4
 \key b \minor
}


tenorLyrics = \lyricmode {
  \openingLyrics

  Ey -- shes cha -- yil mi yim -- tsọ,
  vᵉ -- rọ -- choyk mip -- ni -- nim mich -- rọh;	% down 1 (in 4)
  Bọ -- tach bọh lev ba -- a -- lọh,
  vᵉ -- shọ -- lọl loy yech -- sọr;
  Gᵉ -- mọ -- las -- hu toyv vᵉ -- loy rọ,
  kol yᵉ -- mei cha -- ye -- họ;
  Dọr -- shọ tse -- mer u -- fish -- tim,
  va -- ta -- as bᵉ -- chey -- fets ka -- pe -- họ;

  Họy -- sọ kọ -- o -- ni -- yoys soy -- cher,
  mi -- mer -- chọk tọ -- vi lach -- mọh;	% up 1 (in 4)
  Va -- tọ -- kom bᵉ -- oyd lay -- lọ,
  va -- ti -- teyn te -- ref lᵉ -- vei -- sọh vᵉ -- choyk lᵉ -- nay -- roy -- se -- họ;
  Zọ -- mᵉ -- mọ sọ -- de va -- ti -- kọ -- chey -- hu,
  mip -- ri cha -- pe -- họ nọ -- tọ kọ -- rem;
  Chọg -- rọ bᵉ -- oyz moys -- ne -- họ,
  va -- tᵉ -- a -- meyts zroy -- oy -- se -- họ;

  Tọ -- mọ ki toyv sach -- rọ,
  loy yich -- be ba -- lay -- lọ ney -- rọh;	% down 2 (in 4)
  Yọ -- de -- họ shil -- chọ ba -- ki -- shoyr,
  vᵉ -- cha -- pe -- họ tọm -- chu fọ -- lech;
  Ka -- pọh pọr -- sọ le -- ọ -- ni,
  vᵉ -- yọ -- de -- họ shil -- chọ lọ -- ev -- yon;
  Loy si -- rọ lᵉ -- vei -- sọh mi -- shọ -- leg,
  ki choyl bei -- sọh lọ -- vush shọ -- nim;

  Mar -- ba -- dim ọsᵉ -- sọ lọh,
  sheysh vᵉ -- ar -- gọ -- mọn lᵉ -- vu -- shọh;	% up 2 (in 5)
  Noy -- da bash -- ọ -- rim ba -- lọh,
  bᵉ -- shiv -- to im zik -- nei ọ -- rets;
  Sọ -- din ọsᵉ -- sọ va -- tim -- koyr,
  va -- cha -- gor nọs -- nọ lak -- na -- a -- ni;
  Oyz vᵉ -- họ -- dọr lᵉ -- vu -- shọh,
  va -- tis -- chak lᵉ -- yoym a -- cha -- royn;

  Pi -- họ pọs -- chọ bᵉ -- choch -- mọ,
  vᵉ -- soy -- ras che -- sed al lᵉ -- shoy -- nọh;	% down 3 (in 5)
  Tsoy -- fi -- yọ ha -- li -- choys bei -- sọh,
  vᵉ -- le -- chem ats -- lus loy soy -- cheyl;
  Kọ -- mu vọ -- ne -- họ va -- ya -- shru -- họ,
  ba -- a -- lọh va -- yᵉ -- ha -- lᵉ -- lọh;
  Ra -- boys bọ -- noys ọ -- su chọ -- yil,
  vᵉ -- as ọ -- lis al ku -- lọ -- nọ;

  She -- ker ha -- cheyn vᵉ -- he -- vel ha -- yoy -- fi,	% up 4 (in 4)
  i -- shọ yir -- as a -- doy -- nọi hi sis -- ha -- lọl;
  Tᵉ -- nu lọh mi -- pri yọ -- de -- họ,
  vi -- ha -- lᵉ -- lu -- họ ba -- shᵉ -- ọ -- rim ma -- a -- se -- họ.
}

bassLyrics = \lyricmode {
  \repeat unfold 21 { \skip 1 }
  \skip 2.
  Va4 -- tọ4 -- kom2. lay2 -- lọ,1
  lᵉ2 -- vei2 -- sọh;2
  Zọ4 -- mᵉ4 -- mọ4 ti8 -- kọ8 -- chey4 -- hu,2
  mip4 -- ri4 cha4 -- pe4 -- họ4 kọ4 -- rem;2.
  \repeat unfold 6 { \skip 1 }
  loy4 yich4 -- be4 ba4 -- lay2 -- lọ8 ney8 -- rọh;4
  \repeat unfold 7 { \skip 1 }
  lọ2 -- ev4 -- yon;4
  Loy si -- rọ mi -- shọ -- leg,2 \skip 4 \skip 1 \skip 1
  \repeat unfold 3 { \skip 2. \skip 2 }
  \skip 2. \skip 4
  Noy4 -- \skip 4. da4 bash8 -- ọ4 -- rim4. ba4. -- lọh,4 \skip 4
  \repeat unfold 2 { \skip 2. \skip 2 }
  \skip 4
  Sọ4. -- din4. ọsᵉ4 -- sọ8 va8 -- tim2 -- koyr,2
  va4 -- cha4. -- gor4. nọs4 -- nọ8 lak8 -- na4 -- a4 -- ni;2.
  Oyz4. vᵉ4. -- họ4 -- dọr4 lᵉ4 -- vu4 -- shọh,2
  va4 -- tis4. -- chak4. lᵉ4 -- yoym4 a4. -- cha4. -- royn;2
  \repeat unfold 5 { \skip 2. \skip 2 }
  \skip 2. \skip 4
  vᵉ4 -- le4. -- chem4. ats4 -- lus4 loy4. soy4. -- cheyl;2
  Kọ4. -- mu4. va4 -- ya4 -- shru2. -- họ,2
  ba4. -- a4. -- lọh2 vay4. -- ha4. -- lᵉ4 -- lọh;4
  \repeat unfold 4 { \skip 2. \skip 2 }
  Aa1
  She2 -- ker2 ha2 -- cheyn4 vᵉ4 -- he2. -- vel4 ha2 -- yoy4 -- fi,4
  i4 -- shọ2. a4. -- doy8 -- nọi2 hi2 sis2 -- ha2 -- lọl;2
  Tᵉ2 -- nu2 lọh1 mi4 -- pᵉ4 -- ri4 yọ4 -- de2. -- họ,4
}

\score {
  <<
    \new ChoirStaff <<
      \new Staff {
        \new Voice = "sop" {
          \clef treble
          \global
            \sop
        }
      }
      \new Lyrics \lyricsto "sop" {
        \override LyricText #'font-family = #'sans
        \sopLyrics
      }

      \new Staff {
        \new Voice = "alto" {
          \clef treble
          \global
            \alto
          }
      }
      \new Lyrics {
        \override LyricText #'font-family = #'sans
        \altoLyrics
      }

      \new Staff {
          \new Voice = "tenor" {
            \clef "treble_8"
            \global
            \tenor 
            \bar "|."
          }
      }
      \new Lyrics \lyricsto "tenor" {
        \override LyricText #'font-family = #'sans
        \tenorLyrics
      }

      \new Staff {
          \new Voice = "bass" {
              \clef bass
              \global
                \bass 
          }
      }
      \new Lyrics {
        \override LyricText #'font-family = #'sans
        \bassLyrics
      }

      \set Score.melismaBusyProperties = #'(melismaBusy slurMelismaBusy beamMelismaBusy tieMelismaBusy)
      \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
      \override Score.BarNumber #'font-size = #2
%%%    \new ChordNames { \unfoldRepeats { \eshetchords } }
%%%    \new ChordNames { \unfoldRepeats { \chordsimple } }
    >>
  >>
 \midi{}
 \layout{
 }
}

  
hebrewText = \markup { \right-column {
"אשת חיל, מי ימצא;
ורחק מפנינים מכרה."
"בטח בה, לב בעלה;
ושלל, לא יחסר."
"גמלתהו טוב ולא רע
כל, ימי חייה."
"דרשה, צמר ופשתים;
ותעש, בחפץ כפיה."
"היתה, כאניות סוחר;
ממרחק, תביא לחמה."
"ותקם, בעוד לילה"
"ותתן טרף לביתה;
וחק, לנערתיה."
"זממה שדה, ותקחהו;
מפרי כפיה, נטעה כרם."
"חגרה בעוז מתניה;
ותאמץ, זרועתיה."
"טעמה, כי טוב סחרה;
לא יכבה בלילה נרה."
"ידיה, שלחה בכישור;
וכפיה, תמכו פלך."
"כפה, פרשה לעני;
וידיה, שלחה לאביון."
"לא תירא לביתה משלג:
כי כל ביתה, לבש שנים."
"מרבדים עשתה לה;
שש וארגמן לבושה."
"נודע בשערים בעלה;
בשבתו, עם זקני ארץ."
"סדין עשתה, ותמכר;
וחגור, נתנה לכנעני."
"עז והדר לבושה;
ותשחק, ליום אחרון."
"פיה, פתחה בחכמה;
ותורת חסד, על לשונה."
"צופיה, הליכות ביתה;
ולחם עצלות, לא תאכל."
"קמו בניה, ויאשרוה;
בעלה, ויהללה."
"רבות בנות, עשו חיל;
ואת, עלית על כלנה."
"שקר החן, והבל היפי:
אשה יראת יי, היא תתהלל."
"תנו לה, מפרי ידיה;
ויהללוה בשערים מעשיה."
} }

translationText = \markup{ \column {
"What a rare find is a woman of valour?
Her worth is far beyond that of rubies."
"Her husband puts his confidence in her,
And lacks no good thing."
"She is good to him, never bad,
All the days of her life."
"She looks for wool and flax,
And sets her hand to them with a will."
"She is like a merchant fleet,
Bringing her food from afar."
"She rises while it is still night,
And supplies provisions for her household,
The daily fair of her maids."
"She sets her mind on an estate and acquires it;
She plants a vineyard by her own labours."
"She girds herself with strength,
And performs her tasks with vigour."
"She sees that her business thrives;
Her lamp never goes out at night."
"She sets her hand to the distaff;
Her fingers work the spindle."
"She gives generously to the poor;
Her hands are stretched out to the needy."
"She is not worried for her household because of snow,
For her whole household is dressed in crimson."
"She makes covers for herself;
Her clothing is linen and purple."
"Her husband is prominent in the gate,
As he sits among the elders of the land."
"She makes cloth and sells it,
And offers a girdle to the merchant."
"She is clothed with strength and splendour;
She looks to the future cheerfully."
"Her mouth is full of wisdom,
Her tongue with kindly teaching."
"She oversees the activities of her household
And never eats the bread of idleness."
"Her children declare her happy;
Her husband praises her,"
"'Many women have done well,
But you surpass them all.'"
"Grace is deceptive,
Beauty is illusory;"
"It is for her fear of the Lord
That a woman is to be praised."
"Extol her for the fruit of her hand,
And let her works praise her in the gates."
" "
"(New JPS translation)"
} }

\markup {
  \hspace #1.0 % Hack to fix pagination
}
\pageBreak

\markup {
  \bold { About Esheth Chayil }
} 

\markup {
  \justify {
  The Book of Proverbs concludes with an alphabetic acrostic poem describing the woman of valour; originally brought to the Sabbath dinner table by 16th-century kabbalist Rabbi Isaac Luria and his students, who stressed the Zohar’s description of both the Divine Presence (\italic {shekhina}) and the Sabbath (\italic {malkat shabbat}) in feminine terms. More popularly, it is adopted as a praise for the mother of the house, sung at the Sabbath dinner table over which she has laboured! This popular melody by Ben Zion Shenker (1941-) derives from the Modzhitz chasidic tradition. } }


\markup { \bold { Notes on the score } }

\markup {
  \justify { For most of the score, there is a shared lyric line between soprano / alto and tenor / bass parts. Where they differ, the alto or bass lyric line appears below their part. }
}
\markup {
  \justify { The tenor soloist may ornament the glissandos in bar 83. }
}

ipa = \markup{ \small { IPA } }

\markup { \fill-line {
  \column {
  \line { Pronunciation of vowels and diphthongs: }
  \line {  • ‘a’ like the vowel in \italic father; \ipa [a] }
  \line {  • ‘i’ like the vowel in \italic tree; \ipa [i] }
  \line {  • ‘e’ like the vowel in \italic bed; \ipa [ɛ] }
  \line {  • ‘ᵉ’ like the second vowel in \italic roses; \ipa [ɜ] to [ɨ] }
  \line {  • ‘o’ like the vowel in \italic caught (Australian) or \italic so (American); \ipa [o] }
  \line {  • ‘ọ’ like the vowel in \italic pod; \ipa [ɒ] to [ɔ] }
  \line {  • ‘u’ like the vowel in \italic book; \ipa [ʊ] }
  \line {  • ‘ey’ or ‘ei’ like the diphthong in \italic may; \ipa [ei] }
  \line {  • ‘oy’ like the diphthong in \italic boy; \ipa [o] }
} 

  \column {
  \line { Pronunciation of some consonants: }
  \line {  • ‘ch’ always like in \italic Bach; \ipa [x] }
  \line {  • ‘r’ as a tap; like \italic tt in \italic better (Australian, NZ, American English); \ipa [ɾ] }
  \line {  • ‘s’ always like in \italic see; \ipa [s] }
  \line {  • ‘sh’ like in \italic she; \ipa [ʃ] }
  \line {  • ‘z’ always like in \italic zoo; \ipa [z] }
}
  } }

\markup {
  \justify { (Sorry for any mistakes in the transcription; I am not a native speaker of Ashkenazi or Chasidic Hebrew.) }
}

\markup {
  \bold { Text (Proverbs 31:10-31) }
}

\markup {
	\fill-line {
		\translationText
		\hebrewText
	}
}